Mackes Bilder bewegen sich an der G

Mackes Bilder bewegen sich an der Grenze des Gegenständlichen: Sie sind noch schildernd und "erzählend", zugleich aber von der Auseinandersetzung mit dem auf "reine Malerei" zielenden Orphismus eines Robert Delaunay geprägt, der in seinem wie auch in Franz Marcs Werk eine große Rolle spielt

Results (English) 1:

Mackes images move on the border of the subject: they are still schildernd and "telling", yet imbued with the confrontation with the aimed at "pure painting" Orphism of Robert Delaunay, which plays a major role in his, as well as in Franz Marc's work

Results (English) 2:

Macke's pictures move on the border of the objective: You are still portraying and "telling", but at the same time marked by the confrontation with the "pure painting" targeting Orphism of Robert Delaunay, who in his as well as Franz Marc's work an important role plays

Results (English) 3:

Mackes moving pictures on the border of the present: they are still schildernd and "by talking about them", but at the same time for the confrontation with the "pure painting" Orphismus aimed a Robert Delaunay, as well as in Franz Marc's in his work plays a major role