Oskar Koller (1925-2004) zählt zu d

Oskar Koller (1925-2004) zählt zu den großen Aquarellisten des 20. Jahrhunderts. Für seine luftig-leichten Bilder wurde er vielfach ausgezeichnet und international bekannt. Die große Stärke Oskar Kollers war ein scheinbar müheloser Umgang mit der Farbe: In großer Perfektion setzte er Kleckse und Spritzer ein und erreichte so eine besonders naturgetreue zarte Dynamik. Inspiration und immer neue Impulse fand er auf seinen Reisen in buddhistisch geprägte Kulturen. So erinnert die Ausstrahlung seiner Arbeiten nicht von ungefähr an die Werke des Zen-Buddhismus.

Results (English) 1:

Oskar Koller (1925-2004) is one of the great Watercolourists of the 20th century. For his light paintings, he was often awarded and internationally known. The great strength of Oskar Koller's was a seemingly effortless handling with the color: in great perfection, he continued to BLOBs and splashes and reached so a very lifelike delicate dynamics. He found inspiration and always new ideas on his travels in Buddhist dominated cultures. So remind the broadcasting of his works from approximately to the works of Zen Buddhism.

Results (English) 2:

Oskar Koller (1925-2004) is one of the great water of the 20th century. For his airy-light images he has received many awards and international recognition. The great strength of Oskar Koller was a seemingly effortless handling of color: In great perfection he sat blots and splashes and so reached a particularly lifelike delicate dynamics. Inspiration and always new ideas he found in his travels in Buddhist dominated cultures. To remind the broadcast of his work not by chance the art of Zen Buddhism.

Results (English) 3:

Oskar Koller (1925-2004) is one of the large Aquarellisten of 20. Century. For its airy-light images has been often excellent and internationally known. The great strength Oskar Koller's was a seemingly effortless handling of the color: in greater perfection, he blots and splashes and thus reached a particularly natural delicate dynamics.He always found inspiration and new impetus on his travels to Buddhist cultures. The broadcasting his work not of the works of the Zen Buddhism.