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Moritz Götze "invented the German Pop, rehabilitated the historical painting, took the allegorical art back to full life." Wrote the mirror 2012. With its distinctive cross between Pop Art and History Götze Germany is probably the most unusual history painter. Handsome men, beautiful women, smoldering cigarette, bouquets and zeppelins inhabit his work, which consists of serigraphs, sculptures, ceramic wall works and drawings. The "hall of paintings of German history," a book of 1890, which fascinated him as a child, it is still used as inspiration for his work. Idol was born in 1964 in Halle an der Saale. The son of an artist couple and trained cabinetmaker sold his first work at the age of nine years. After his training he made his way as a furniture restorer and navvies in a Kohlenanzünderfabrik and played by passing in various punk bands. In 1985, his first idol created serigraphs and then started to build its own graphics workshop. Even before the Wall came down, he was admitted Visual Artists of the GDR in the federation. Between 1991 and 1994 had an idol teaching for serigraphy at the College of Art and Design in Halle (Burg Giebichenstein). This was followed by a one-year visiting professorship for serigraphy at the Ecole Nationale Superieure des Beaux Arts in Paris. The state of Saxony-Anhalt recorded the Halle in 1996 with the Art Award and a year later he received the Graphic Award of the "United cigarette factory Dresden". In addition to numerous solo exhibitions and exhibitions in Germany, Belgium and the United States also worked Götze on a variety of projects, such as the ceramic wall design for the atrium of the Fair Building Specks Hof in Leipzig (1994/95) and on the design for the Leipzig Book Fair (2000). Furthermore, he made as a book illustrator and author of many books and essays a name. Moritz Götze now lives and works as a freelance artist in Halle an der Saale. The materials own imagery are for Moritz Götze Kulturgeschichtliches and Kunsthistorisches, looking back into the social history of our country, but also perceived from the direct living environment - urban sceneries or objects of everyday life , He uses a comic-like painting style, which is not identical to the conventional pop art. Gotze's major focus, however, is the study of the history of Germany and here he is - though very different - in the tradition of Anton von Werner, Arnold Böcklin , Franz von Stuck, Jörg Immendorff, Penck or Anselm Kiefer but without receiving their respective mythological reference. It is a solitary business. He an artist, marked by two of Germany, showing his view of history, ironic and crazy at the same time.
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