Leonhard erweist den Großen der Kun

Leonhard erweist den Großen der Kunstgeschichte mit einem Augenzwinkern seine Reverenz. Da gibt es Joseph Beuys, der einen daliesk auf großen Stelzen dahinschreitenden Hasen beobachtet („Beuys und der Hase“), da gibt es eine Hommage à Piero della Francesca, bei der dessen Werk von einem Handwerker mit einer großen Farbrolle übertüncht zu werden droht („Roll over Piero“). Und es gibt den „Pflastermaler“, unter dessen geschickten Händen Caravaggios „Berufung des Hl. Matthäus“ von 1599 entsteht.

Results (English) 1:

Leonhard proves his reverence the great art history with a wink. There's Joseph Beuys, one daliesk on huge stilts that progressive rabbits observed ("Beuys and the Hare"), there's a Hommage à Piero della Francesca, in whose Werk threatens to be glossed over with a big paint roller by a craftsman ("roll over Piero"). And there's the 'patch painters", under whose skilful hands is Caravaggio's"Calling of Saint Matthew"from 1599.

Results (English) 2:

Leonhard proves the greats of art history with a wink reverence. Since there are Joseph Beuys, who observed a daliesk then border on huge stilts hare ("Beuys and the Hare"), because there is a Homage to Piero della Francesca, in whose work threatens to be drowned out by a craftsman with a large paint roller ( "Roll over Piero"). And there is the "pavement artist", under whose skilful hands Caravaggio's "The Calling of Saint. Matthew" of 1599 arises.

Results (English) 3:

Leonhard is the large of art history with a wink his admiration. There is Joseph Beuys, a daliesk observed on large stilts dahinschreitenden rabbit ( "Beuys and the Hare" ), there is a Hommage à Piero della Francesca, in whose work by a craftsman with a large roller is liable to be glossed over ( "roll over Piero" ).And there is the "Pflastermaler", under his skillful hands Caravaggio's "vocation of St Matthew" from 1599.