In der Pariser Weltausstellung von

In der Pariser Weltausstellung von 1900 stellte er seine heute nur noch kurz als Tiffany-Lampen bezeichneten Leuchtobjekte vor. Verschiedenfarbiges Glas, kunstvoll gestaltete Bronzefüße und sinnlich erotische Figuren lassen die Gebrauchsgegenstände zu Kunstwerken besonderen Reizes werden. Die Stengelgläser in Blütenkelchform, seine bauchigen Vasen, aber auch die berühmten Kirchenglasfenster zeugen von großer Farb- und Formvielfalt. Das philosophische Stilprinzip des Fin de Siècle, Natur und Kunst miteinander zu verbinden, findet in den Objekten Tiffanys seine reichste Ausführung.

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In the Paris World Exhibition of 1900 he exhibited his now only briefly as designated Tiffany lamps light objects in front. Different colored glass, artfully designed bronze feet and sensual erotic figures make the commodities become works of art special stimulus. The stem glasses in calyx shape, its bulbous vases, as well as the famous church stained glass windows show great colors and shapes. The philosophical principle of fin de siècle style, to combine nature and art together, found in the objects Tiffanys its most exemplary.

Results (English) 3:

The Universal Exhibition of Paris in 1900 he presented his today only briefly referred as Tiffany lamps Lighting has taken before. You can quickly glass, artfully crafted Bronzefuße and sensual art Erotic Figures, the effects to be special stimulus. The Stengelglaser in form, his bulbous vases,But also the famous Kirchenglasfenster witnesses of great color and variety of shapes. The philosophical Stilprinzip of the fin de siecle, nature and art to connect with each other, will be held in the Objects Tiffany its richest.