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This research shows the history and development of the framing and composition and explains about the styles and the styles associated with examples and pictures. Through numerous examples and digressions, it enables a deeper insight in the film analysis but also the advanced reader. E.g. The concept of framing (French cadrage; framing is the corresponding English term) goes back to Bazin. The product of the mise-en-scène, the individual picture elements within the limited field of the image (also known as frame, French cadre) to order, under the three aspects of the spatial effect and image composition, i.e. with regard to the logical unfolding of the story. Before this chapter turns to these three aspects and then the camera acts, introducing some comments about the image format should be made.
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