Unter dem freien Himmel der Landsch

Unter dem freien Himmel der Landschaft ins Wesen geschaut, so malt Frank Suplie (*1950), ein Worpsweder Stipendiat und Meisterschüler von Prof. Fußmann. Wie alle Norddeutschen Realisten hat bei ihm das Motiv Vorrang, nie würde er etwas vernachlässigen. Er verwendet selten Grau oder Braun, verschmutzte Farben schon gar nicht; eher ist ein Pastellton vorherrschend, der dann, punktuell, hier und da, sich zu einem reinen Rot oder Gelb steigert. In dieser hellen Skala bewegt sich die Malerei des Frank Suplie - er beherrscht sie virtuos.

Seine Landschaftsimpressionen sind in vielen öffentlichen Sammlungen vertreten.

Results (English) 1:

Looked under the clear sky of the landscape in the industry, so Frank Suplie malt (* 1950), a fellow Worpswede and master student of Prof. Fußmann. Like all North German realists, the subject takes precedence with him, never he would neglect anything. He rarely used gray or Brown, dirty colors definitely not; a pastel tone is rather prevalent, which then, selectively, here and there, will increase to a pure red or yellow. In this bright scale, the painting of Frank Suplie moves - he mastered it brilliantly.His impressions of the landscape are represented in many public collections.

Results (English) 2:

Looked into the nature in the open air of the countryside, so paints Frank Suplie (* 1950), a fellow Worpswede and master student of Prof. Fußmann. Like all North German Realists has in him the motive prevail, he would never neglect anything. He rarely used gray or brown, dirty colors certainly not; more of a pastel shade is predominant, then, selectively, to increases here and there to a pure red or yellow. In this light, the scale painting of Frank Suplie moves - he mastered it with virtuosity. His landscape impressions are represented in many public collections.

Results (English) 3:

Under the open sky to the nature of the landscape, so malt Frank Suplie ( * 1950), a scholar and a master student of Prof. Fussmann Worpswede. Like all North German realists has priority over the subject with him, he was never a little neglect. He rarely used gray or brown, dirty colors certainly not; rather a pastel shade, which then, selective, here and there,To a pure red or yellow increases. In this bright scale moves the painting of the Frank Suplie - he has mastered you virtuoso.

its there are represented in many public collections.