Das Motiv des Lesenden ist ein Schl

Das Motiv des Lesenden ist ein Schlüsselmotiv im Werk Barlachs, das er bereits in der Lithografie "Wem Zeit wie Ewigkeit und Ewigkeit wie Zeit, der ist befreit von allem Leid" aus dem Jahr 1916 und auf einer Kohlezeichnung aus dem Jahr 1922 thematisierte. Eine besondere Dichte erfährt das Motiv im Frühjahr 1936 in der Plastik "Der Buchleser".

Results (English) 1:

The subject of the reading is a key motif in the work of towards, he "Whom time such as eternity and eternity like time, is freed from all suffering" from 1916 and on a charcoal drawing from 1922 already addressed in lithography. A special density learns the motif in the spring of 1936, in the plastic "The book reader".

Results (English) 2:

The design of the reader is a key motif in the work of Barlach, he already "Whom time as eternity and eternity as time, freed from all suffering" from the year 1916 and on a charcoal drawing from 1922 themed in lithography. One particular density experienced by the subject in the spring of 1936 in the sculpture "The book reader".

Results (English) 3:

The motif of the read in the factory is a Keyvisual Barlach, which it already has in the lithography "To whom time such as eternity and eternity as time, is freed from all sorrow" from 1916 and 1922 on a charcoal drawing. A special density learns the subject in the spring of 1936 in the sculpture, "The book readers".