Dramatische Aufführungen wurden frü

Dramatische Aufführungen wurden früher in der Regel nach Akten und Szenen aufgeteilt, damit der Zuschauer sich am Verlauf der Handlung orientieren konnte. Im antiken Drama waren fünf Akte vorgeschrieben. Das Gespräch bestimmt im klassischen Drama die Handlung. Im Monolog redet die handelnde Person mit sich selbst. Der Zuschauer erfährt dadurch ihre Gedanken und Gefühle. Handeln zwei oder mehrere Personen, so findet ihr Gespräch im Dialog statt und offenbart ihre Gegensätzlichkeiten und Probleme. Im modernen Theater haben solche Normen keine Verbindlichkeit mehr. Die Handlung als gleichförmiger Ablauf soll vielfach nicht mehr Vordergrund stehen. Auch der Dialog als treibende Kraft der Handlung wird in neuren Stücken oft aufgehoben. Um ein Drama auf einer Bühne darstellen zu können, müssen Dramaturg und Reggiseur das Werk im wahrsten Sinn des Wortes in Szene setzen.

Results (English) 1:

Dramatic performances were divided previously usually acts and scenes, so that the audience could relate to the course of the story. Five acts were prescribed in the ancient drama. The conversation determines the action in the classic drama. In the monologue, the person with their own talks. The audience learns this their thoughts and feelings. Act two or more people, so their conversation in the dialog takes place and revealing their contradictions and problems. In the modern theater, such standards have no liability. The act as a uniform sequence should be often no longer focus. The dialogue as the driving force of the plot is often removed in newer pieces. Represent a drama on stage, playwright and Reggiseur must put the work in the truest sense of the word in the scene.

Results (English) 2:

Dramatic performances were previously usually split by acts and scenes, so that the viewer could be based on the course of action. In ancient drama in five acts were prescribed. The conversation determines the action in the classical drama. In the monologue acting person talking to himself. The audience learns by their thoughts and feelings. Act two or more people, so will their conversation instead in dialogue and reveals its contradictions and problems. In modern theater such standards have more no liability. The action as a uniform flow should not be more often foreground. The dialogue as a driving force of the act is repealed in LICQ pieces often. In order to present a drama on a stage, dramaturge and Reggiseur need to put the work in the truest sense of the word in scene.

Results (English) 3:

dramatic performances were traditionally divided by acts and scenes, so that the audience could follow the course of action. ancient drama in five acts). the conversation in classical drama, the plot. in the monologue talk the person acting with itself. the viewer finds out that their thoughts and feelings. action of two or more people, you can find conversation in dialogue and reveals their divergences and problems. in the modern theater, these standards have no binding force. the act as a uniform flow is often not more priority. the dialogue as a driving force of the plot in neuren pieces often removed. a drama on stage can be reggiseur, playwright and work in the truest sense of the word in the scene.