Wie sehr Landschaften das Werk eine

Wie sehr Landschaften das Werk eines Malers prägen können, dafür ist vielleicht das Südfrankreich im Spätwerk Vincent van Goghs das berühmteste Beispiel. Manchmal gilt das gar für eine ganze Künstlergruppe: Otto Modersohn, Paula Becker, Fritz Mackensen und der hier mit seinen "Birken von Worpswede" vertretene Fritz Overbeck (1869-1909) aus der Künstlerkolonie Worpswede arbeiteten sich geradezu obsessiv an der beeindruckenden Landschaft des Teufelsmoors nahe Bremen ab.
Das Sujet als solches muss jedoch nicht einmal ein geografisches Vorbild exakt abschildern. Bisweilen dominiert der Reiz der freien Komposition nach eigenen ästhetischen Vorstellungen.

Results (English) 1:

How much scenery can shape the work of a painter, for the South of France in the late works of Vincent van Gogh's the most famous example is perhaps. Sometimes this is true even for a whole group of artists: Paula Becker, Fritz Mackensen, Otto Modersohn and the Fritz Overbeck represented here with his "Birch from Worpswede" (1869-1909) from the Worpswede artist colony is almost obsessively on the impressive landscape of the devil moors near Bremen worked off. The subject as such must however not even AB describe a geographic model exactly. Sometimes, the allure of free composition dominated after own aesthetic ideas.

Results (English) 2:

How much scenery can characterize the work of a painter, it is perhaps the South of France in the late works of Vincent van Gogh's most famous example. Sometimes this is true even for a whole group of artists: Otto Modersohn, Paula Becker, Fritz Mackensen and here with his "Birches of Worpswede" represented Fritz Overbeck (1869-1909) from the artist colony Worpswede worked their obsessively close to the impressive landscape of the devil Moors Bremen from.
The subject as such, however, does not even have abschildern exactly a geographic model. Sometimes dominates the allure of free composition according to their own aesthetic ideas.

Results (English) 3:

How much landscapes can shape the work of a painter, perhaps it is the French Riviera in the late work Vincent van Gogh's the most famous example. Sometimes even for a whole artist group: the Otto Modersohn, Paula Becker,Fritz Mackensen and here with his "birch of Worpswede" represented Fritz Overbeck (1869-1909) from the artist colony Worpswede worked almost obsessively on the impressive landscape of the "Devil's Moor"near Bremen.
The subject as such but must not even a geographical model abschildern exactly.Sometimes the appeal of the free composition dominated by its own aesthetic ideas.