Der Umgang mit Kirchners Werk währe

Der Umgang mit Kirchners Werk während der NS-Zeit ist exemplarisch für die nationalsozialistische Kunstpolitik: Mehr als 600 Bilder Kirchners wurden aus den Museen entfernt. Sein "Kaffeetisch" von 1923 zeugt in der gewählten Perspektive von seiner Beschäftigung mit dem Kubismus, ist jedoch in seiner flächenhaften Abstraktion ganz Kirchner. Es zeigt das Gespräch der Familie als Moment intimer Vertrautheit und gelassener Ruhe und lädt den Betrachter nicht zuletzt durch seine leuchtenden, warmen Farben dazu ein.
Original Öl auf Leinwand, Museum Folkwang, Essen.

Results (English) 1:

Dealing with Kirchner's work during the NAZI period is exemplary of the Nazi art policy: more than 600 images of Kirchner's have been removed from the museums. His 'coffee table' from 1923 testifies to his employment with Cubism in the selected perspective, however, is quite Kirchner in his full-field abstraction. It shows the conversation family as the moment of intimate familiarity and approved rest and invites last but not least by its bright, warm colors to the Viewer. Original oil on canvas, Museum Folkwang, Essen.

Results (English) 2:

Dealing with Kirchner's work during the Nazi era is typical of the Nazi art policy: More than 600 images of Kirchner were removed from museums. His "coffee table" in 1923 testifies to the chosen perspective of his involvement with cubism, but is quite Kirchner in his planar abstraction. It shows the conversation of the family as a moment of intimate familiarity and calm and serenity and invites the viewer not least by its bright and warm colors to a.
Original oil on canvas, Museum Folkwang, Essen.

Results (English) 3:

The handling of Kirchner's work during the NS-time is an example of the National Socialist Cabildo: more than 600 images were from the Kirchner's museums. His "Coffee Table" of 1923 shows the selected perspective of his employment with the Cubism, however, in its spatial abstraction is very Kirchner.It shows the conversation of the family as a moment and relaxed calm and intimate familiarity invites the viewer not least by its bright, warm colors.
Original Oil on canvas, Museum Folkwang, Essen.