Berühmtheit erlangte er durch seine

Berühmtheit erlangte er durch seine Stillleben, die er in geradezu fotografischer Exaktheit ausführte und die auch von seinen gänzlich neue Ideen und Ansätze verfolgenden Malerkollegen hoch geschätzt wurden. Hinzu kommt eine Reihe von Gruppenporträts, in denen er seinen illustren Freundeskreis ins Bild setzte - allen voran die "Huldigung an Delacroix" von 1865 (das den verstorbenen Maler u. a. umgeben von Whistler, Manet, Baudelaire und Fantin-Latour selbst zeigt) und das 1870 entstandene "Atelier des Batignolles", das Manet und seinen Umkreis (u. a. Zola, Monet und Renoir) porträtiert.

Results (English) 1:

He achieved fame by his still lifes, which he executed in almost photographic accuracy and were appreciated even by his painter colleagues pursuing new ideas and approaches. Add a series of group portraits, where he continued his illustrious circle of friends in the picture - progress all that "Homage to Delacroix" from 1865 (that the deceased painter and others surrounded by Whistler, Baudelaire, Manet and Fantin-Latour itself shows) and portrays the 1870 resulting "Atelier des Batignolles", the Manet and his district (including Zola, Monet and Renoir).

Results (English) 2:

He achieved fame by his still lifes, which he carried out in an almost photographic accuracy, and tracked by its entirely new ideas and approaches painter colleagues were highly appreciated. In addition, a series of group portraits, in which he set his illustrious circle of friends in the picture - especially the "Homage to Delacroix" of 1865 (showing the painter who died among others surrounded by Whistler, Manet, Baudelaire and Fantin-Latour himself) and the 1870 resulting "Atelier des Batignolles", the Manet and its radius (including Zola, Monet and Renoir) portrays.

Results (English) 3:

He became famous by his still lifes, which he said in an almost photographic accuracy and also from its completely new ideas and approaches a fellow painter who had pursued were highly appreciated. In addition, there is a range of group portraits, in which he continued his illustrious friends into the picture - especially the "Homage to Delacroix" from 1865 (the the deceased painter and others.Surrounded by Whistler, Manet, Baudelaire and Fantin-Latour himself shows) and the 1870 resulting "Atelier des Batignolles", the Manet and its vicinity (including. Zola, Monet and Renoir) portrays.