Der Sohn eines Graveurs erlernte se

Der Sohn eines Graveurs erlernte sein Handwerk an der Wiener Kunstgewerbeschule. Noch auf der Suche nach einem eigenen Ausdruck, ist sein frühes Werk geprägt von dem Historismus Hans Makarts, dem Künstlerfürsten der Donaumonarchie des ausgehenden 19. Jahrhunderts. Eine Künstlergemeinschaft mit seinem Bruder Ernst und Franz Matsch bildend, erhielten die jungen Maler zahlreiche Aufträge für die Ausgestaltung der neuen Gebäude an der Wiener Ringstraße. Die Treppenhäuser des Wiener Burgtheaters oder des Kunsthistorischen Museums legen Zeugnis von dem historistischen Stil dieses Gemeinschaftsateliers ab.

Results (English) 1:

The son of an engraver, learned his trade at the Vienna School of Arts and crafts. Still looking for an own phrase, his early work is characterized by The Historicism of Hans Makart, the artist Prince of the Danube monarchy of the late 19th century. The young painter an artist community with his brother Ernst and Franz Matsch making received numerous orders for the design of the new buildings on the Ringstraße. The staircases of the Burgtheater or the Kunsthistorisches Museum bear testimony of the historicist style of this community workshops.

Results (English) 2:

The son of an engraver learned his craft at the Vienna School of Applied Arts. Still searching for their own expression, his early work is marked by the historicism Hans Makart, the artist Prince of the Habsburg monarchy in the late 19th century. A community of artists with his brother Ernst and Franz Matsch making, the young painters have received numerous orders for the design of new buildings on the Ringstrasse. The staircases of the Vienna Burgtheater and the Kunsthistorisches Museum bear witness to the historicist style of this community studios.

Results (English) 3:

The son of a engraver learned his trade at the Vienna College. Still on the search for an own expression, his early work is characterised by the historicism Hans Makarts, the monarchy of the 19th the Kunstlerfursten. Century. An artistic community with his brother Ernst and Franz Matsch, formingThe young painter numerous contracts for the design of the new building on the Ringstrasse. The staircases of the Kunsthistorisches Museum of Vienna's Burgtheater or bear witness to the historicist style this Gemeinschaftsateliers.