Auch in Deutschland gilt der jambis

Auch in Deutschland gilt der jambische Fünfheber seit A. W. Schlegel als Idealform mit männlicher (stumpfer) oder weiblicher (klingender) Kadenz und dem Reimschema

[abba abba cdc dcd]
oder

[abba cddc eef ggf]
In den beiden Terzetten kamen jedoch zu allen Zeiten viele Varianten vor, beispielsweise

[abba abba ccd eed]
[abba abba cde cde]
[abba abba ccd dee]
[abba abba cde ecd]
Das englische Sonett reimte

[abab cdcd efef gg]

Results (English) 1:

In Germany the originality five lifters has A. W. Schlegel as ideal form with male (dull) or female (sounding) Cadence and rhyme scheme[abba abba cdc dcd]or[abba cddc OLI if necessary]Many variants were however at all times in the two Terzetten, for example,[abba abba ccd Sa'eed][abba abba cde cde][abba abba ccd dee][abba abba cde ecd]The English sonnet rhymed[abab cdcd efef gg]

Results (English) 2:

In Germany, the iambic Five Heber applies since Schlegel as an ideal form of male (blunt) or female (sounding) cadence and rhyme scheme [abba abba cdc dcd] or [abba CDDC eef possibly] However, in the two trios came at all times many variants before, for example, [abba abba ccd eed] [abba abba cde cde] [abba abba ccd dee] [abba abba cde ecd] rhymed The English sonnet [abab cdcd efef gg]

Results (English) 3:

in germany, too, is the jambische since a. w. schlegel fünfheber as form with a male (blunt) or female (sounding) cadence and the reimschema[abba abba cdc dcd]or[abba cddc edf ggf]in the two terzetten arrived, however, at all times, many variants, for exampleabba abba ccd [account][abba abba cde cde][abba abba ccd dee][abba abba cde ecd]the english sonnet reimte[abab cdcd efef gg]