Wenn Michael Krähmers Landschaften

Wenn Michael Krähmers Landschaften wie reale Orte wirken, so ist das nicht zuletzt dem enormen handwerklichen Aufwand zu verdanken, den der Künstler betreibt: Krähmer (geboren 1952) hat sich die Malweise der Alten Meister erarbeitet und schafft seine zumeist großformatigen Werke in der zeitaufwändigen Harzöl-Lasurtechnik, bei der die Farbe in vielen hauchdünnen Schichten übereinander aufgetragen wird. In wochenlanger Arbeit entstehen Bilder, die fast fotorealistisch erscheinen und durch ihre geradezu dreidimensional wirkende Bildtiefe frappieren.

Results (English) 1:

If Michael Krähmers landscapes resemble real places, the last but not least is the enormous technical effort thanks to the artist operates: Krähmer (born 1952) has worked out the way the old masters of painting and creates its mostly large-scale works in the time-consuming resin oil glazing technique of color in many thin layers one above the other is applied. Images that appear almost photorealistic and stun their almost three-dimensional-looking image depth are created in weeks work.

Results (English) 2:

When Michael Krähmers landscapes as real places act, so that's not least thanks to the enormous artisanal effort, the artist operates: Krähmer (born in 1952) has become the painting of the old masters worked out and creates his mostly large-format works in the time-consuming Harzöl- glaze technique in which the paint is applied in many gossamer layers one above the other. In weeks of work creates images that seem almost photorealistic and astound by its almost three-dimensionally acting image depth.

Results (English) 3:

If Michael Krahmers landscapes such as real places, so is the small-scale effort not least thanks to the enormous, the artist operates: Krahmer (born in 1952) has developed the painting style of the old masters and creates its own mostly large-format works in the time-consuming Harzol-Lasurtechnik ,When the color is applied in many thin layers. Through weeks of work, the images appear almost photo-realistic three-dimensional acting depth and by almost casually painted.