Die Impressionisten, könnte man in

Die Impressionisten, könnte man in grober Verkürzung sagen, finden den Weg zurück aus den Ateliers in die freie Natur, die Expressionisten hingegen entdecken die Großstadt und ihre Menschen als zentrales Motiv. Es ist die Grunderfahrung dieser Zeit: Berlin ist längst zur Millionenstadt angewachsen, und das städtische Wechselspiel von Vertrautheit und Anonymität gibt den Malern das Thema vor. Kirchners "Zwei Damen im Café" porträtiert zeittypische, betont selbstbewusste Frauengestalten im vermutlich gaslichtbeleuchteten Ambiente.
Original: Öl auf Leinwand, Kirchner Museum, Davos.

Results (English) 1:

The Impressionists, one might say in gross shortening, find their way back from the studios in the great outdoors, the Expressionists, however, discover the city and its people as a central motif. It is the basic experience of this time: Berlin has long since grown to the metropolis, and the urban interplay of familiarity and anonymity pretends the subject of painters. Kirchner's "two ladies in the Café" portrays time typical, emphasized a confident female figures in the presumably gas-lit ambience. Original: Oil on canvas, Kirchner Museum, Davos.

Results (English) 3:

The Impressionists, one could say in gross reduction, find your way back from the workshops in the great outdoors, the expressionists, however, discover the city and its people as a central motif. It is the basic experience this time: Berlin is have long been part of the city with over a million inhabitants has grown, and the urban interplay of intimacy and anonymity are the painters the topic.Kirchner's "two ladies in the Cafe" portrays interests him, emphasizes self-confident female figures in the probably gaslichtbeleuchteten ambience.
Original: Oil on canvas, Kirchner Museum, Davos.