Mangin ist ein Einzelgänger in der

Mangin ist ein Einzelgänger in der Kunstszene - zum einen, weil er prinzipiell keine Ausstellungen macht ("Schon beim Wort Vernissage wird mir schlecht."), zum anderen, weil er seine Kunst als "Aufstand der Schönheit" gegen die ökonomische Dekadenz der modernen Kunst versteht: "Meine Statuen stehen immer, es sind freie Menschen, keine Konsumenten. Stehen ist für mich immer eine Art Widerstand.

Results (English) 1:

Mangin is a loner in the art scene - on the other hand, on the one hand, because he is in principle no exhibitions ("already the word Vernissage will be bad me."), because he sees his art as a "Revolt of beauty" against the economic decadence of modern art: "my statues are always available, they are free people, not consumers. Standing, for me, is always a kind of resistance.

Results (English) 2:

Mangin is a loner in the art scene - firstly, because it makes in principle no exhibitions ("Even the word Vernissage makes me sick."), And secondly, because he his art as "riot of beauty" against the economic decadence of modern art speaks: "My sculptures are always, there are free people, not using adults is always for me a kind of resistance..

Results (English) 3:

Mangin is a loner in the art world - on the one hand, because in principle he makes no exhibitions ( "the Word Vernissage is bad for me. " ), on the other hand, because he his art as "revolt of the beauty" against the economic decadence of modern art: "My statues, there are free people, no consumers. For me is always a type of resistance.