Giacometti ging es darum, die Wirkl

Giacometti ging es darum, die Wirklichkeit in ihrer ganzen Komplexität zu erfassen, Hauptgegenstand seiner Arbeit ist die existentielle Darstellung des Menschen. Bereits in den 30er Jahren gehörte er zu den führenden Persönlichkeiten des Surrealismus, doch erst nach dem Krieg entstand sein eigentliches künstlerisches Vermächtnis. Das Zeichnen von Personen in den Straßen regte ihn zu seinen großen, dünnen Skulpturen an - ferne, fast körperlos wirkende Gestalten, die zugleich Distanz und Nähe ausdrücken.

Results (English) 1:

Giacometti was about to capture reality in its entire complexity, subject matter of his work is the existential representation of the people. Already in the 30s, he belonged to the leading figures of surrealism, but only after the war was his actual artistic legacy. Drawing of people in the streets it suggested to his large, thin sculptures - distant, almost disembodied-looking figures at the same time expressing distance and proximity.

Results (English) 2:

Giacometti concern was to capture reality in all its complexity, the main subject of his work is the existential representation of the people. Already in the 30s he was among the leaders of surrealism, but only after the war his real artistic legacy was created. Drawing of people in the streets inspired him to his tall, thin sculptures on - distant, almost disembodied acting figures that express both distance and proximity.

Results (English) 3:

Giacometti, the idea was to capture reality in all its complexity, its main work is the existential representation of human beings. Already in the 30s, he was the leading figures of the surrealism, but only after the war was his real artistic legacy.The drawing of people in the streets inspired him to his large, thin sculptures at - remote, almost disembodied acting, which at the same time distance and proximity printing.