Vom griechischen kathedra für "Gott

Vom griechischen kathedra für "Gottessitz" leitet sich der Name der zum Himmel strebenden gotischen Kathedrale ab. Für den Bildhauer Rodin waren die Hände Inbegriff der kreativen, göttlichen Schaffenskraft. Ohne einander zu berühren umfassen sie einem Tanz der Hände gleich den Raum, in dem die Idee, der göttliche Funke entsteht. Mit seiner Studie erhebt Rodin das Fragment zur Gesamtskulptur und nimmt damit weite Bereiche der modernen Plastik vorweg.
Original: Bronze, 65 cm hoch, Musée Rodin, Paris.

Results (English) 2:

From the Greek cathedra for "God's house" is the name of the sky aspiring Gothic cathedral derives. For the sculptor Rodin's hands were the epitome of creative, divine creative power. Without touching each other, they include a dance of hands equal to the space where the idea of the divine spark is created. With his study Rodin raises the fragment to the overall sculpture and therefore accepts wide ranges of modern sculpture anticipated.
Original: Bronze, 65 cm high, Musée Rodin, Paris.

Results (English) 3:

From the Greek chair for "Gottessitz" derives the name of the to the soaring stained glass gothic cathedral. For the sculptor Rodin hands were the epitome of the creative, divine creativity. Without touching each other they include a dance of the hands is equal to the room in which the idea of the divine spark is produced.With his study raises the fragment to Gesamtskulptur Rodin and takes that large areas of the modern plastic.
Original: Bronze, 65 cm high, Musee Rodin, Paris.