Im Jahr 1844 reiste Prisse d'Avenne

Im Jahr 1844 reiste Prisse d'Avennes von Alexandria nach Frankreich, wo er drei Jahre später die Monuments égyptiens (Ägyptische Baudenkmäler) veröffentlichte. Dieser Band enthält 51 Tafeln, die auf Zeichnungen basieren, die er während seiner Zeit in Ägypten angefertigt hatte. Nach einem erneuten Aufenthalt in Nordafrika kehrte er 1860 wieder nach Paris zurück, mit den Früchten seiner zahlreichen Reisen im Gepäck: Hunderte von Foliozeichnungen, Fotografien, Skizzen, Karten und 400 Metern an Basreliefs. Fasziniert von der Symmetrie, Komplexität und Opulenz der ägyptischen und arabischen Kunst, griff er auf diesen gewaltigen Fundus zurück, um Sammelwerke zur Kunst und Architektur zu schaffen, in die er seine Forschungen zum historischen, gesellschaftlichen und religiösen Kontext ebenso einfließen ließ wie seine Untersuchungen von Originaldokumenten. 1878/79 erschien in Paris unter dem Titel Histoire de l'art égyptien (Geschichte der ägyptischen Kunst) sein vollständiges Kompendium, das 159 beeindruckende Tafeln zur ägyptischen Kunst enthält.

Results (English) 1:

In 1844 traveled to France, where he three years later the monument égyptiens Prisse d ' Avennes of Alexandria (Egyptian monuments) published. This volume contains 51 plates, based on drawings he had made during his time in Egypt. He returned after a renewed stay in North Africa in 1860 to Paris, with the fruits of his numerous trips to the luggage: hundreds of Foliozeichnungen, photographs, sketches, maps and 400 meters of bas-reliefs. Fascinated by the symmetry, complexity, and opulence of the Egyptian and Arab art, he resorted to this massive collection, to create collections for art and architecture, in which he incorporated his researches on the historical, social and religious context as well had as his investigations of original documents. 1878/79 de l'art published égyptien in Paris under the title Histoire (history of Egyptian art) be complete compendium containing 159 impressive signs of Egyptian art.

Results (English) 2:

In 1844 traveled Prisse d'Avennes from Alexandria to France, where he three years later the monument égyptiens published (Egyptian monuments). This volume contains 51 panels that are based on drawings he had made during his time in Egypt. After another stay in North Africa in 1860, he returned again to Paris, with the fruits of his numerous trips in his luggage: hundreds of folio drawings, photographs, sketches, maps and 400 meters of bas-reliefs. Fascinated by the symmetry, complexity and opulence of Egyptian and Arabic art, he returned to this enormous fundus to create collective works on art and architecture, in which he incorporated his research into the historical, social and religious context as well as his studies of original documents. 1878/79 was published in Paris under the title Histoire de l'art égyptien (history of Egyptian art) be complete compendium that includes 159 stunning charts for Egyptian art.

Results (English) 3:

In 1844 Prisse d'Avennes travelled from Alexandria to France, where he Three years later the monument egyptiens (Egyptian monuments) published. This volume contains 51 tablets, the drawings are based on, he had made during his time in Egypt. After a further stay in North Africa in 1860 he returned again to Paris,With the fruit of his numerous trips in the baggage: hundreds of Foliozeichnungen, photographs, sketches, maps, and 400 meters to bas-reliefs. Fascinated by the symmetry, complexity, and opulence of the Egyptian and Arab art, he relied on these huge wealth back to collections of art and architecture to create, in his research into the historical, heSocial and religious context as well as into its investigations of original documents. 1878/79 Appeared in Paris under the title Histoire de l'art egyptien (History of Egyptian Art) his full compendium, which contains 159 impressive tables on the Egyptian art.