Der früh verstorbene italienische M

Der früh verstorbene italienische Maler, Grafiker und Bildhauer (1884-1920) stellte zwei Motive ins Zentrum seines Schaffens: das Portrait und den Akt. Mit seiner unverkennbaren gelängten und stilisierten Formensprache erzeugte er eine melancholisch-lyrische Stimmung. Die weichen, fließenden scheinbar nicht enden wollenden Körperformen der weiblichen Akte erhalten ihr Volumen durch eine zarte puderige Farbigkeit.

Results (English) 1:

The late Italian painter and sculptor (1884-1920) had two motives in the Centre of his work: the portrait and the nude. With its distinctive length and stylized language of form, he produced a melancholy and lyrical mood. The soft, flowing seemingly never-ending never-ending body shape of female nudes get their volume through a delicate powdery color.

Results (English) 2:

The late lamented Italian painter, graphic artist and sculptor (1884-1920) presented two designs into the center of his work: the portrait and the nude with his unmistakable elongated and stylized design language he produced a melancholy-lyrical mood.. The soft, flowing seemingly never-ending body shapes of the female nudes get their volume through a delicate powdery color.

Results (English) 3:

The late Italian painter, graphic artist and sculptor (1884-1920) as ) was two motifs in the center of his creation: the portrait and the act. With its unmistakable, and stylized design idiom he created a melancholic-lyrical mood. The soft,Seemingly endless flowing shapes of the female Act will receive your volume by a delicate puderige colorfulness.