Die Kunst des "Animaliers" besteht

Die Kunst des "Animaliers" besteht längst nicht nur darin, das dargestellte Tier in quasi fotografischer Präzision zu erfassen. Das lässt sich auch am Dromedar der 1968 geborenen Elke Zimmermann beobachten. Die Skulptur wirkt eher wie eine Bewegungsstudie; sie konzentriert sich ganz auf die Eleganz, ja Gravität des schreitenden Tieres. "Fotografisch" ist sie nur in einem Aspekt: Wie ein gelungener Schnappschuss stellt sie den einen - aber eben entscheidenden, ausdrucksstärksten - Moment eines komplexen Ablaufs dar.

Results (English) 1:

The art of the "Animaliers" is not only to capture the represented animal in almost photographic precision. This can be observed also at the camel of the 1968 born Elke Zimmermann. The sculpture looks more like a motion study; It focuses entirely on the elegance, yes gravity of the moving animal. It is "Photographic" only in one aspect: as a successful snapshot, it represents the a - but it is decisive, expressive - moment of a complex process.

Results (English) 2:

The art of "Animaliers" is by no means only in the identification of the animal represented in almost photographic precision. This can also be observed on the dromedary born 1968 Elke Zimmermann. The sculpture looks more like a motion study; it focuses entirely on elegance, yes gravity of the border animal. "Perceptual" it is only in one aspect: As a successful snapshot it provides one - but crucial, most expressive - moment of a complex sequence represents.

Results (English) 3:

The art of the "Animaliers" there is not only to bring the animal shown in quasi photographic precision. This can be also on the dromedary born Elke Zimmermann in 1968. The sculpture looks more like a study; they concentrated entirely on the elegance, yes gravity of the border animal. "Photographic" is only in one aspect:As a successful snapshot provides you the A - but decisive, most expressive - moment a complex process.