Die spielerische Verwirrung der Sin

Die spielerische Verwirrung der Sinne des Betrachters sind das Hauptziel von Eschers Kunst. Die Absurdität der Anordnung wird oft jedoch erst bei ganz genauem Hinsehen deutlich. So entdeckt man, dass er Innen nach Außen kehrt und Hell zu Dunkel verwandelte.

Results (English) 1:

The playful confusion of the senses of the viewer are the main goal of Escher's art. The absurdity of the arrangement is often only evident in quite Hinsehen. So, one discovers that he returns inside to the outside and turned pale to dark.

Results (English) 2:

The playful confusion of the senses of the viewer are the main objective of Escher's art. The absurdity of the arrangement is often, however, evident only at very close inspection. So one discovers that he turns inside out and Hell turned to darkness.

Results (English) 3:

The playful confusion of the meaning of the beholder is the objective of Escher's art. The absurdity of the whole arrangement is often only when taking a closer look. So we discover that he returns inside to the outside light to dark and transformed.