"Katz malt nicht, Katz erinnert sic

"Katz malt nicht, Katz erinnert sich.... Katz' Bilder sind so präzise und so vage wie die Erinnerung selbst... und so wie die Erinnerung, so liebt diese Kunst den Moment, den Ausschnitt...", war 2009 in der Wochenzeitung DIE ZEIT über den New Yorker Maler zu lesen, dessen Werke sich mit Figur und Fläche auseinandersetzen und sich zwischen modernem Realismus und Pop Art bewegen.

In einem kleinen Ort in Maine, wo er ein Atelier hat, porträtiert er seit Jahrzehnten dieselben Menschen und Landschaften, die ihn umgeben.

Results (English) 1:

"Katz not paints, Katz recalls... Katz's images are so precise and vague like the memory yourself... and so like the memory, so loves this art now, the snippet... ", 2009 in the weekly reading time about the New York painter, whose works deal with figure and face and move between modern realism and pop art.In a small town in Maine, where he has a Studio, he portrayed the same people and landscapes that surrounded him for decades.

Results (English) 2:

"Katz does not paint, Katz recalls .... Katz 'images are so precise and so vague as memory itself ... and as the memory, so this art loves the moment the cut ...", 2009 was to read in the weekly newspaper Die Zeit on the New York painter whose works deal with figure and face and move between modern Realism and Pop Art. In a small town in Maine, where he has a studio, he portrayed the same people for decades and landscapes that surround it.

Results (English) 3:

"Katz does not paint Katz remembers .... Katz' images are as precise and vague as the memory itself ... and just as the reminder, so love these art the moment the cut out ... ", in the weekly DIE ZEIT 2009 was on the New York painter to read, whose works deal with character and area and between the modern realism and Pop Art move.

In a small town in Maine, where he has a studio, he portrays the same people for decades and landscapes which surround him.