Kaum vorstellbar, dass Piet Mondria

Kaum vorstellbar, dass Piet Mondrians streng geometrische Kompositionen ihren Ursprung in malerischen, filigranen Landschaftsstudien hatten. Mit 20 Jahren, als Student der Kunstakademie in Amsterdam, fühlte er sich dem Impressionismus nahe. In den neutralen Niederlanden blieb er lange von den Wirren des Ersten Weltkrieges verschont, konnte seiner Inspiration und den theosophischen Studien folgen. Erste fauvistische und neoimpressionistische Elemente tauchten in seinen Bildern auf.

Results (English) 1:

Hard to imagine that Piet Mondrian strict geometric compositions had their origins in picturesque, delicate landscape studies. With 20 years as a student of the Art Academy in Amsterdam, he felt close to Impressionism. In the neutral Netherlands, he was long spared from the turmoil of the first world war, was able to follow his inspiration and the Theosophical studies. First fauvistic and neo impressionistic elements appeared in his paintings.

Results (English) 2:

Hard to imagine that Piet Mondrian strictly geometric compositions had their origin in the picturesque, filigree landscape studies. With 20 years, as a student of the Academy of Art in Amsterdam, he felt close to Impressionism. In the neutral Netherlands, he long remained spared from the turmoil of World War I, was his inspiration and the theosophical studies follow. First Fauvist and Neo-Impressionist elements appeared in his paintings.

Results (English) 3:

Hard to imagine that Piet Mondrian s geometric compositions originate in picturesque, filigree-scale studies of had. With 20 years, as a student of the Academy of Fine Arts in Amsterdam, he felt the impressionism. He remained in the neutral Netherlands long spared from the tumult of the first world war, its inspiration and the theosophical studies could follow.First fauvistische and neoimpressionistische elements appeared in his paintings.