Das Thema ist über die Rahmen, die

Das Thema ist über die Rahmen, die für die wichtige Zusammensetzung und die verschiedenen Ansichten des Films sind, um genau und eindeutig durch die Beispiele von den Film und Bilder zu vermitteln. Durch die zahlreichen Beispiele und Exkurse ermöglicht sie aber auch dem fortgeschrittenen Leser einen vertieften Einblick in die Filmanalyse. z.B. Der Begriff der Kadrierung (frz. cadrage oder eben mise-en-cadre; der entsprechende englische Terminus ist framing). Das Produkt der Szene, die einzelnen Bildelemente innerhalb des begrenzten Bildfeldes (engl. Frame, frz. cadre) anzuordnen, und zwar unter den drei Aspekten der räumlichen Wirkung und Bildkomposition, d.h. im Hinblick auf die folgerichtige Entfaltung der Filmhandlung. Bevor sich dieses Kapitel diesen drei Aspekten und daran anschließend den Kamerahandlungen zuwendet, sollen einleitend einige Bemerkungen zum Bildformat erfolgen.

Results (English) 1:

The topic is about the frames, which are for the major composition and the different views of the film to convey accurately and clearly through the examples of the movie and pictures. Through numerous examples and digressions, it enables a deeper insight in the film analysis but also the advanced reader. E.g. The concept of framing (French framing or just mise-en-cadre; framing is the corresponding English term). The product of the scene, the individual picture elements within the limited field of the image (also known as frame, French cadre) to order, under the three aspects of the spatial effect and image composition, i.e. with regard to the logical unfolding of the story. Before this chapter turns to these three aspects and then the camera acts, introducing some comments about the image format should be made.

Results (English) 2:

The subject is on the frame, which are important for the composition and the various views of the film in order to provide accurate and clear by the examples of the film and images. But through the numerous examples and digressions it also enables the advanced reader a deeper insight into the film analysis. eg the concept of framing (French cadrage or even mise-en-cadre;. the corresponding English term is framing). The product of the scene, the individual pixels within the limited field of view (eng. Frame, French. Cadre) to arrange, under the three aspects of spatial effect and composition, ie in terms of the logical unfolding of the film plot. Before this chapter these three aspects and subsequently turns the camera actions, should be carried out in the introduction to the image format a few remarks.

Results (English) 3:

the subject is about the framework, for the important composition and the different views of the film are precisely and clearly from the example of the film and images to convey information. the numerous examples and digressions allow but also the advanced readers an in-depth insight into the filmanalyse. for example, the concept of the framework (or.cadrage or mise en cadre; the corresponding english term is framing). the product of the scene, the individual image elements within the limited frame (engl. frame or. a request, under the three aspects of spatial effect and composition, i.e., in terms of the logical development of the filmhandlung.before this chapter these three aspects and then turned to the kamerahandlungen, begin with a few remarks to be separate.