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Mendiola draws on his picture archive maintained for years, to find starting points for his imaginative approach to reality. Unmistakably there: It's not just about the incredibly "lifelike" distortion of reality by means of imaging, but rather the computer-aided design of spaces, which could arise from his artistic imagination and yet in their very own way really be alone. Critics therefore quite rightly call a "electronic creative Expressionists" Mendiola.
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