Bereits mit 14 Jahren begann der am 20. April 1893 in Montroíg bei Bar translation - Bereits mit 14 Jahren begann der am 20. April 1893 in Montroíg bei Bar English how to say

Bereits mit 14 Jahren begann der am

Bereits mit 14 Jahren begann der am 20. April 1893 in Montroíg bei Barcelona geborene Miró seine künstlerische Ausbildung an der Akademie in Barcelona, an der er bis 1910 blieb. Es folgte 1912 -13 das Studium an der privaten Kunstschule von F.Galli, die als Akademie der Avantgarde galt. Durch eine Parisreise 1919 und die Begegnung mit Pablo Picasso beeinflusst, gelangte Miró zu einem Stil der den Kubismus mit den markanten Zügen der Neuen Sachlichkeit und der Naiven Malerei verband.
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At the age of 14, the Miró born on April 20, 1893 in Montroíg at Barcelona, began his artistic training at the Academy in Barcelona, where he remained until 1910. -13 1912 undertook the studies at the private art school of F.Galli, which was considered as the Academy of the avant-garde. Influenced by a trip to Paris 1919 and the encounter with Pablo Picasso, concluded Miró of cubism with the distinctive features of the new objectivity style and naïve Painting Association.
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Already with 14 years began, born in Montroig in Barcelona on April 20, 1893 Miró his artistic training at the Academy in Barcelona, ​​where he remained, until 1910. This was followed in 1912 -13 studying at the private art school of F.Galli, which was considered the vanguard Academy. A trip to Paris in 1919 and the meeting with Pablo Picasso influences, Miró arrived at a style of dressing Cubism with the distinctive features of the New Objectivity and naive painting.
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Began at the age of 14 on 20. Born in Barcelona in Montroíg April 1893 Miró his artistic education at the Academy in Barcelona, where he remained until 1910. This was followed by the course of study at the 1912 -13 private art school of F. Galli, the Academy of the avant-garde. By a Paris trip in 1919 and the encounter with Pablo Picasso,MIRO was a style to the Cubism with the striking of the trains of the new objectivity and the naive painting association.
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