Das Fresko, das Malen "ins Frische"

Das Fresko, das Malen "ins Frische", also in den frisch aufgetragenen Putz, ist eine Arbeit gegen die Zeit. Farbe und Untergrund gehen eine feste Verbindung ein, Korrekturen sind nicht möglich. Die Affresko-Technik bringt Farben von erstaunlicher Leuchtkraft hervor, deren Reproduktion eine besondere Herausforderung ist. Das Original wird bei aufwendig arrangierter, genau berechneter Lichtführung digitalisiert. Erst dann entfaltet das Abbild im Zusammenspiel mit seiner hauchdünnen, auf die Leinwand aufgebrachten Quarzsandschicht die beeindruckende Farbwirkung des Originals.

Results (English) 1:

The fresco, painting "in the fresh", i.e. the freshly applied plaster, is a work against the clock. Color and surface bond strength, corrections are not possible. The Affresko technology produces colors of astonishing brilliance, whose Reproduktion is a special challenge. The original is digitized at elaborately arranged, precisely calculated light guide. Until then, the image in conjunction with its wafer-thin quartz sand layer applied on the canvas unfolds the stunning color effect of the original.

Results (English) 2:

The fresco painting "the freshness", ie in the freshly applied plaster, is a work against the clock. Color and go underground into a firm bond, corrections are not possible. The Affresko technique brings forth color of astonishing luminosity, their reproduction is a particular challenge. The original is digitized in consuming-arranged, precisely calculated light guidance. Only then unfolds the image together with its wafer-thin, applied to the canvas quartz sand layer the impressive color effect of the original.

Results (English) 3:

The fresco, the painting "into the fresh", i.e. in the newly applied plaster, is a work against time. Color and go underground a fixed connection, corrections are not possible. The Affresko-Technik brings colors to the reproduction of an astonishing luminosity is a special challenge. The original is elaborately arranged,Precisely calculated lighting being digitised. Only then develops the image in conjunction with its extremely thin, raised on the canvas Quarzsandschicht the impressive color vibrancy of the original.