Schmerz und Verzweiflung aber auch

Schmerz und Verzweiflung aber auch Hoffnung schilderte Michelangelo in seiner Urgeschichte der Menschheit: der Sixtinischen Kapelle im Vatikan. Als er diese Gewölbefresken zwischen 1508 und 1512 schuf, spielte der Hauptvertreter der Hochrenaissance und Wegbereiter des Manierismus als Bildhauer und Maler bereits eine zentrale Rolle im künstlerischen und intellektuellen Leben Italiens.

Results (English) 1:

Pain and despair, but also hope portrayed Michelangelo in its prehistory of mankind: the Sistine Chapel in the Vatican. When he created this Vault frescoes between 1508 and 1512, the main proponents of the High Renaissance and pioneer of Mannerism as a sculptor and painter already played a central role in the artistic and intellectual life of Italy.

Results (English) 2:

Pain and despair but also hope portrayed Michelangelo in his early history of mankind: the Sistine Chapel in the Vatican. When he created this vault frescoes 1508-1512, the chief representative of the High Renaissance and Mannerist pioneer played as a sculptor and painter already a central role in the artistic and intellectual life of Italy.

Results (English) 3:

Pain and despair but also hope, Michelangelo in his prehistory of humanity: the Sistine Chapel in the Vatican. This Gewolbefresken as he created between 1508 and 1512, played the main exponents of the High Renaissance and Mannerism as a pioneer of the sculptor and painter already a central role in the artistic and intellectual life Italy.