Im Werk des Malers Fritz Köthe hat

Im Werk des Malers Fritz Köthe hat sich eine ganz spezifische Westberliner Variante der Pop-art entfaltet. Fritz Köthe über sich selbst: "In allen meinen Arbeiten dominiert bei mir die Realität. So war es nur ein kleiner Schritt zu meinen heutigen Bildern. Straßenpflaster mit Reifenspuren, Plakatfetzen und Zigarettenstummel im Rinnstein. Dann Werbeplakate, Rennwagen und Mädchen... Und die Mädchen aus dem Playboy, dem Lui oder den Titelseiten der Illustrierten sind für mich die modernen heutigen Akte. Bewusst nutze ich das Foto als Modell, die Farbseiten der Autosportmagazine oder der Illustrierten." Köthe bricht bewusst mit der Tradition in dem er diese in sein Werk verflechtet, wie jeden anderen Bestandteil seiner Umwelt.

Results (English) 1:

In the work of the painter Fritz Köthe, a specific West version of pop art has unfolded. Fritz Köthe about himself: "in all my work dominated the reality with me. So it was only a small step to my today's pictures. Pavement with tire tracks, scraps of Billboard and cigarette butts in the gutter. Then posters, race cars and girls... And the girls from Playboy, the Lui or the front pages of magazines are the modern present file for me. Consciously I use as a model, the color pages of Autosport magazine or the magazine. the photo" Köthe consciously breaking with the tradition in which he these in his work intertwined, like every other part of his environment.

Results (English) 2:

In work of the painter Fritz Köthe a very specific West Berlin variant of pop art has unfolded. Fritz Köthe about himself: "In all my work dominates with me the reality as it was only a small step to my current paintings pavement with tire tracks, poster shreds and cigarette butts in the gutter Then billboards, racing cars and girls ... And the... Girls from Playboy, the Lui or the front pages of magazines are for me the modern today's record. I consciously use the photo as a model, the color pages of Autosport magazine or the magazine. " Köthe deliberately breaks with the tradition in which he intertwines them in his work, like any other part of his environment.

Results (English) 3:

In the works of the painter Fritz Kothe has a very specific West Berlin variant of the pop-art unfolds. Fritz Kothe about himself: "In all my work with me is dominated by the reality of the situation. So it was just a small step to my today's pictures. Pavements with tire tracks Plakatfetzen and cigarette butts in the gutter. Then advertising posters, cars and girls ...And the girls from Playboy, the Lui or the front pages of magazines for me are the modern day act. I use the aware photo as a model, the color of the Autosportmagazine or illustrated." Kothe breaks with the tradition in which he in his work now intertwine, like any other part of its environment.